1 00:00:07,137 --> 00:00:09,618 -ON EACH STROKE, YOU PLANT YOUR FEET 2 00:00:09,748 --> 00:00:11,315 AND YOU LOCK YOUR KNEES OUT, YOU GOT IT? 3 00:00:11,446 --> 00:00:12,751 -GOT IT. 4 00:00:12,882 --> 00:00:14,057 I REALLY WANT TO GET THIS DOWN 5 00:00:14,188 --> 00:00:16,886 BEFORE MY FIRST STUNT INSTRUCTION. 6 00:00:17,017 --> 00:00:19,193 UGH, THEN MAYBE I CAN SHOW OFF A LITTLE. 7 00:00:19,932 --> 00:00:21,760 -SO YOU FOUND AN INSTRUCTOR, HUH? 8 00:00:22,283 --> 00:00:24,067 STROKE. 9 00:00:24,720 --> 00:00:27,201 -YEAH, HE'S COMING TOMORROW ON MY DAY OFF. 10 00:00:28,289 --> 00:00:29,594 STROKE. 11 00:00:29,725 --> 00:00:30,726 -THAT'S GREAT. 12 00:00:30,856 --> 00:00:31,944 YOU'RE A NATURAL ATHLETE, 13 00:00:32,075 --> 00:00:33,294 YOU'LL PICK IT UP IN NO TIME. 14 00:00:33,424 --> 00:00:34,947 STROKE! 15 00:00:35,078 --> 00:00:36,340 NOW, WHEN WE'RE ON OUR WAY IN 16 00:00:36,471 --> 00:00:38,038 AND WE CATCH A WAVE, 17 00:00:38,168 --> 00:00:41,084 YOU'RE GOING TO WANT TO SHIP YOUR OARS LIKE THIS. 18 00:00:43,521 --> 00:00:46,176 -OKAY, THEN YOU'RE GOING TO COME UP WITH ME TO THE STERN. 19 00:00:46,916 --> 00:00:48,657 OUR WEIGHT'S GOING TO ACT LIKE A RUDDER 20 00:00:48,787 --> 00:00:50,572 AND IT'S THE ONLY THING THAT'S GOING TO KEEP US FROM BROACHING. 21 00:00:50,702 --> 00:00:51,616 -OKAY. 22 00:00:51,747 --> 00:00:53,140 WAIT, WHAT'S BROACHING? 23 00:00:53,270 --> 00:00:54,706 -IT'S WHEN WE TURN SIDEWAYS IN THE WAVE. 24 00:00:55,533 --> 00:00:56,534 -A BAD THING. 25 00:00:56,665 --> 00:00:57,796 -YEAH. VERY BAD AND VERY WET. 26 00:00:57,927 --> 00:00:59,102 YOU READY TO TRY? 27 00:00:59,233 --> 00:01:00,190 -YEAH, LET'S DO IT. 28 00:01:00,321 --> 00:01:01,539 -OKAY. 29 00:01:02,758 --> 00:01:06,501 STROKE, STROKE, 30 00:01:07,458 --> 00:01:10,200 STROKE, STROKE, 31 00:01:11,636 --> 00:01:15,075 STROKE, THAT'S IT. 32 00:01:16,337 --> 00:01:19,731 SO, WHO DO YOU LIKE AT BAYWATCH? 33 00:01:19,862 --> 00:01:21,081 -I LIKE EVERYBODY. 34 00:01:21,211 --> 00:01:22,908 -I MEAN THE GUYS. 35 00:01:23,039 --> 00:01:23,996 -OH. 36 00:01:24,823 --> 00:01:26,260 CODY IS SUCH A CUTIE. 37 00:01:26,869 --> 00:01:28,479 STROKE. 38 00:01:28,610 --> 00:01:29,741 I THINK J.D.'S HOT. 39 00:01:29,872 --> 00:01:31,265 -TOO YOUNG FOR ME. 40 00:01:32,222 --> 00:01:34,398 -YOUNG? THEY'RE OLDER THAN YOU ARE! 41 00:01:35,834 --> 00:01:37,793 -YEAH, BUT I LIKE OLDER MEN. 42 00:01:37,923 --> 00:01:39,142 YOU KNOW, MORE MATURE. 43 00:01:40,100 --> 00:01:42,580 -LIKE, HOW OLD? 30? 44 00:01:43,364 --> 00:01:44,887 -HM, OLDER. 45 00:01:46,193 --> 00:01:49,196 -WOW. THAT'S LIKE DATING YOUR DAD! 46 00:01:49,326 --> 00:01:51,372 COME ON, I NEED A NAME! 47 00:01:51,981 --> 00:01:53,461 -I DON'T KISS AND TELL. 48 00:01:53,591 --> 00:01:55,115 [LAUGHING] 49 00:01:55,245 --> 00:01:57,029 -ALL RIGHT, WE'RE HEADING INTO THE DROP ZONE. 50 00:01:57,160 --> 00:01:58,640 YOU REMEMBER WHAT TO DO? 51 00:01:58,770 --> 00:01:59,815 -UH... 52 00:01:59,945 --> 00:02:01,251 -SHIP YOUR OARS. 53 00:02:01,382 --> 00:02:02,383 -RIGHT. 54 00:02:04,776 --> 00:02:06,082 -COME INTO THE STERN. 55 00:02:07,083 --> 00:02:08,128 -OH MY GOD. 56 00:02:19,748 --> 00:02:21,706 -OH! BROACHING! 57 00:02:22,359 --> 00:02:23,882 -FIRST CLASS! 58 00:02:33,327 --> 00:02:36,156 SOME PEOPLE STAND IN THE DARKNESS 59 00:02:37,157 --> 00:02:40,725 AFRAID TO STEP INTO THE LIGHT 60 00:02:40,856 --> 00:02:44,773 SOME PEOPLE NEED TO HELP SOMEBODY 61 00:02:44,903 --> 00:02:48,516 WITH THE EDGE OF SURRENDERS IN SIGHT 62 00:02:48,646 --> 00:02:51,432 DON'T YOU WORRY 63 00:02:51,562 --> 00:02:54,348 IT'S GOING TO BE ALRIGHT 64 00:02:57,133 --> 00:02:59,179 CAUSE I'M ALWAYS READY 65 00:02:59,309 --> 00:03:02,965 I WON'T LET YOU OUT OF MY SIGHT 66 00:03:05,881 --> 00:03:08,057 I'LL BE READY 67 00:03:08,188 --> 00:03:09,450 I'LL BE READY 68 00:03:09,580 --> 00:03:11,800 NEVER YOU FEAR 69 00:03:11,930 --> 00:03:13,758 OH, DON'T YOU FEAR 70 00:03:13,889 --> 00:03:16,848 I'LL BE READY 71 00:03:16,979 --> 00:03:19,677 FOREVER AND ALWAYS 72 00:03:19,808 --> 00:03:23,333 I'M ALWAYS HERE 73 00:04:50,638 --> 00:04:51,943 -CODY: AMF 295, 74 00:04:52,074 --> 00:04:53,380 THIS IS SCARAB ONE. 75 00:04:53,510 --> 00:04:54,859 WE GOT JUMPERS OFF THE REDONDO PIER. 76 00:04:54,990 --> 00:04:56,905 -J.D.: GO AROUND TO THE OTHER SIDE. 77 00:05:06,001 --> 00:05:07,307 -CODY: GET READY, YOU'RE GOING IN! 78 00:05:07,437 --> 00:05:08,960 I'LL BE RIGHT BEHIND YOU. 79 00:06:07,410 --> 00:06:08,629 -J.D.: HOLD ON. 80 00:06:16,680 --> 00:06:17,768 ALL RIGHT, HANG ON. 81 00:06:17,899 --> 00:06:18,726 GRAB THE BOAT. 82 00:06:24,427 --> 00:06:25,297 HERE YOU GO. 83 00:06:25,907 --> 00:06:27,169 I'M GOING BACK DOWN. 84 00:06:55,371 --> 00:06:56,720 -CODY: WE GOT YOU! 85 00:06:58,548 --> 00:07:00,637 -JESSIE: APRIL, CAN I ASK YOU A QUESTION? 86 00:07:00,768 --> 00:07:01,986 -APRIL: SURE, JESSIE, WHAT'S UP? 87 00:07:02,117 --> 00:07:03,684 -YOU EVER WISH YOU WEREN'T SO... 88 00:07:04,424 --> 00:07:05,729 SO SQUEAKY CLEAN? 89 00:07:05,860 --> 00:07:07,122 -SQUEAKY CLEAN? 90 00:07:07,252 --> 00:07:08,819 -YEAH, YOU KNOW. 91 00:07:08,950 --> 00:07:11,605 YOU'RE, LIKE, THAT PERFECT, LIKE, ALL-AMERICAN, 92 00:07:11,735 --> 00:07:14,042 GIRL NEXT DOOR, LITTLE MISS APPLE PIE... 93 00:07:14,172 --> 00:07:15,391 -UGH, WELL YOU ARE TOO. 94 00:07:15,522 --> 00:07:16,871 -[CHUCKLING] YEAH. 95 00:07:17,567 --> 00:07:20,004 BUT, I'VE JUST BEEN LOOKING AND... 96 00:07:20,570 --> 00:07:23,181 YOU KNOW THE GUYS THEY GO MORE FOR THAT, LIKE, HOT GIRL. 97 00:07:23,312 --> 00:07:24,748 -HOT? 98 00:07:24,879 --> 00:07:26,446 -YEAH, THE DANGEROUS KIND. 99 00:07:26,576 --> 00:07:28,665 YOU KNOW, WITH THAT COME HITHER STARE 100 00:07:28,796 --> 00:07:31,363 AND THAT, "YOU AREN'T READY FOR ME YET" LOOK? 101 00:07:31,494 --> 00:07:33,104 HOT! 102 00:07:33,235 --> 00:07:34,584 -YEAH, WELL, I DON'T KNOW IF I COULD BE THAT TYPE. 103 00:07:34,715 --> 00:07:35,542 I DON'T KNOW HOW! 104 00:07:36,804 --> 00:07:38,675 -YEAH, BUT I THINK IT'D BE FUN, LIKE, TO TRY. 105 00:07:39,284 --> 00:07:40,547 DON'T YOU? -YEAH. 106 00:07:40,677 --> 00:07:42,026 -JUST ONCE. 107 00:08:06,486 --> 00:08:08,662 RED LIPS AND A DEADLY KISS 108 00:08:08,792 --> 00:08:12,056 I NEED A TASTE ALL OF YOUR PASSION 109 00:08:12,187 --> 00:08:14,581 YOU GOT THE BLOOD PUMPING THROUGH MY VEINS 110 00:08:14,711 --> 00:08:17,366 YOU GOT A DANGEROUS ATTRACTION 111 00:08:17,932 --> 00:08:20,543 AIN'T NO RULES IN THE GAME OF LOVE 112 00:08:20,674 --> 00:08:23,372 AND GIRL YOU KNOW YOU PLAY IT WELL 113 00:08:24,242 --> 00:08:26,331 ONE LOOK AT YOUR BODY BABE 114 00:08:26,462 --> 00:08:28,943 AND NOW I'M UNDERNEATH YOUR SPELL 115 00:08:29,073 --> 00:08:32,294 YOU'RE DRIVING ME WILD GIRL SET ME FREE 116 00:08:32,424 --> 00:08:35,036 SKIN TIGHT DRESS GOT ME ON KNEES 117 00:08:35,166 --> 00:08:38,300 MAKE A GROWN MAN CRY YEAH I'M BEGGING PLEASE 118 00:08:38,430 --> 00:08:43,218 BABY HAVE MERCY, MERCY ON ME 119 00:08:45,568 --> 00:08:47,614 YOUR HIPS ON MY FINGER TIPS 120 00:08:47,744 --> 00:08:50,704 I WANNA MAKE THAT FANTASY HAPPEN 121 00:08:50,834 --> 00:08:53,358 LETHAL CURVES LET THE FIRE BURN 122 00:08:53,489 --> 00:08:56,492 I WANNA GET SOME OF THAT ACTION 123 00:08:57,014 --> 00:08:59,495 AIN'T NO RULES IN THE GAME OF LOVE 124 00:08:59,626 --> 00:09:02,411 AND GIRL YOU KNOW YOU PLAY IT WELL 125 00:09:04,021 --> 00:09:05,501 ONE LOOK AT YOUR BODY BABE 126 00:09:05,632 --> 00:09:08,330 AND NOW I'M UNDERNEATH YOUR SPELL 127 00:09:08,460 --> 00:09:10,941 YOU'RE DRIVING ME WILD GIRL SET ME FREE 128 00:09:11,072 --> 00:09:14,205 SKIN TIGHT DRESS GOT ME ON KNEES 129 00:09:14,336 --> 00:09:17,339 MAKE A GROWN MAN CRY YEAH I'M BEGGING PLEASE 130 00:09:17,469 --> 00:09:20,385 BABY HAVE MERCY, MERCY ON ME 131 00:09:20,516 --> 00:09:23,475 YOU'RE DRIVING ME WILD GIRL SET ME FREE 132 00:09:23,606 --> 00:09:25,652 SKIN TIGHT DRESS GOT ME ON KNEES 133 00:09:25,782 --> 00:09:29,307 MAKE A GROWN MAN CRY YEAH I'M BEGGING PLEASE 134 00:09:29,438 --> 00:09:34,008 BABY HAVE MERCY MERCY ON ME 135 00:09:41,798 --> 00:09:44,279 YOU'RE DRIVING ME WILD GIRL SET ME FREE 136 00:09:44,409 --> 00:09:46,977 SKIN TIGHT DRESS GOT ME ON KNEES 137 00:09:47,108 --> 00:09:49,806 MAKE A GROWN MAN CRY YEAH I'M BEGGING PLEASE 138 00:09:50,764 --> 00:09:54,071 BABY HAVE MERCY MERCY ON ME 139 00:09:59,250 --> 00:10:00,774 -SO WHAT DO YOU THINK ABOUT-- -[LAUGHING] 140 00:10:00,904 --> 00:10:02,514 -HEY GUYS, I THINK YOU DESERVE THE MEDAL OF VALOR. 141 00:10:02,645 --> 00:10:03,603 -ARE YOU KIDDING? 142 00:10:03,733 --> 00:10:04,995 NAH, IT WAS NO BIG DEAL. 143 00:10:05,126 --> 00:10:06,518 -TWO COPS AND A LITTLE GIRL? 144 00:10:06,649 --> 00:10:08,782 IT'S A DAMN BIG DEAL, I'LL NOMINATE YOU. 145 00:10:09,304 --> 00:10:10,740 -YOU GUYS ARE HEROES. 146 00:10:10,871 --> 00:10:12,046 -AW, COME ON, WE WERE JUST DOING OUR JOBS. 147 00:10:12,612 --> 00:10:13,917 YOU GUYS ALL WOULD'VE DONE THE SAME THING. 148 00:10:14,048 --> 00:10:15,092 -WELL THEN I'D WANT A MEDAL OF VALOR. 149 00:10:15,223 --> 00:10:16,093 -[LAUGHING] 150 00:10:16,224 --> 00:10:17,007 -MORNING EVERYBODY. 151 00:10:17,138 --> 00:10:18,095 TOWER ASSIGNMENTS: 152 00:10:18,226 --> 00:10:19,706 CODY, 12, 153 00:10:19,836 --> 00:10:21,533 J.D., TOWER 14, 154 00:10:21,664 --> 00:10:23,448 APRIL, YOU'RE AT 8, 155 00:10:23,579 --> 00:10:25,320 CRAIG, BUDDY, YOU'RE AT ZUMA, 156 00:10:25,450 --> 00:10:27,452 AND NEWMIE, YOU'RE ON PATROL. 157 00:10:28,105 --> 00:10:29,324 HAVE A GOOD ONE, HUH!? 158 00:10:31,718 --> 00:10:33,807 -I ALMOST FORGOT, NEELY SENT THIS TO ME. 159 00:10:33,937 --> 00:10:34,982 I THOUGHT YOU MIGHT LIKE TO SEE IT. 160 00:10:35,112 --> 00:10:35,983 -THANKS. 161 00:10:37,375 --> 00:10:40,596 PICTURE WAS ASHLEY, THE MEMORY WAS HOBIE 162 00:10:41,292 --> 00:10:42,642 AND WHAT IT MEANS TO BE A DAD. 163 00:10:43,555 --> 00:10:44,905 YOU KNOW, LOOKING BACK, YOU REALIZE 164 00:10:45,470 --> 00:10:47,037 THOSE REALLY WERE THE GOOD OLD DAYS, 165 00:10:47,168 --> 00:10:48,822 AND YOU WISH YOU COULD DO IT ALL AGAIN. 166 00:11:26,555 --> 00:11:29,123 -NEWMIE: HEY, MITCH! 167 00:11:31,603 --> 00:11:33,127 -OH, HEY. HEY NEWMIE. 168 00:11:34,041 --> 00:11:35,216 -WHERE WERE YOU JUST NOW? 169 00:11:35,346 --> 00:11:37,653 -MEMORY LANE, MEMORY LANE. 170 00:11:38,436 --> 00:11:39,786 I JUST SUDDENLY REMEMBERED HOW MUCH 171 00:11:39,916 --> 00:11:42,092 -I MISSED HAVING ASHLEY AROUND THE HOUSE. 172 00:11:43,485 --> 00:11:45,182 AND NOW WITH HOBIE GONE, IT'S UH, 173 00:11:45,748 --> 00:11:47,184 PRETTY QUIET THERE THESE DAYS. 174 00:11:48,316 --> 00:11:51,798 -WELL, SOUNDS LIKE EMPTY NEST SYNDROME. 175 00:11:51,928 --> 00:11:53,713 IT HAPPENS. GET A PET. 176 00:11:54,714 --> 00:11:56,193 -I MIGHT. 177 00:11:57,325 --> 00:11:58,630 WHERE'D YOU GET YOURS? 178 00:11:58,761 --> 00:11:59,719 -WHAT? 179 00:12:00,328 --> 00:12:01,285 -ON YOUR HEAD. 180 00:12:02,069 --> 00:12:03,723 -OH, IT'S A HAIRPIECE. -IT'S A CHIPMUNK. 181 00:12:03,853 --> 00:12:05,550 -HEY, WELL I'M BETTING THE GIRLS WILL THINK IT'S HOT. 182 00:12:05,681 --> 00:12:08,118 -GIRL CHIPMUNKS, MAYBE, BUT UH, NEWMIE, 183 00:12:08,815 --> 00:12:10,338 WHY THE HELL ARE YOU WEARING THAT THING? 184 00:12:11,252 --> 00:12:12,644 -CARRIE. 185 00:12:13,254 --> 00:12:15,169 SHE'S BEEN COMING DOWN TO THE BEACH FOR A COUPLE WEEKS NOW. 186 00:12:16,431 --> 00:12:17,475 I JUST WANT HER TO NOTICE ME. 187 00:12:17,606 --> 00:12:18,389 WHAT DO YOU THINK? 188 00:12:18,520 --> 00:12:19,913 IS IT ME? 189 00:12:20,043 --> 00:12:21,392 -IT'S YOU, WITH A CHIPMUNK ON YOUR HEAD. 190 00:12:21,523 --> 00:12:22,959 -WHATEVER WORKS. 191 00:12:23,090 --> 00:12:24,613 -NEWMIE, YOU ARE NOT GOING TO GET THAT GIRL 192 00:12:24,744 --> 00:12:25,701 WITH THAT THING ON YOUR HEAD. 193 00:12:25,832 --> 00:12:27,398 -WHY DON'T WE DISCUSS YOUR STRING 194 00:12:27,529 --> 00:12:28,835 OF ROMANTIC SUCCESSES, SHALL WE? 195 00:12:28,965 --> 00:12:31,489 -MM, UGH, ALL RIGHT, ALL RIGHT. 196 00:12:32,316 --> 00:12:35,755 HEY LISTEN, DO ME A FAVOR WILL YA? 197 00:12:35,885 --> 00:12:37,582 TAKE THESE TO HEADQUARTERS? 198 00:12:37,713 --> 00:12:41,108 I'M GONNA SWIM THE TOWERS AND, UH, STAY LOW. 199 00:12:41,238 --> 00:12:43,763 HUNTING SEASON BEGINS TODAY. 200 00:12:49,203 --> 00:12:51,205 MY OWN PERSONAL FORM OF THERAPY 201 00:12:51,335 --> 00:12:53,424 HAS ALWAYS BEEN SWIMMING THE TOWERS. 202 00:12:53,555 --> 00:12:57,124 YOU GET INTO A RHYTHM THAT INVARIABLY CLEARS THE MIND. 203 00:12:57,254 --> 00:13:00,518 YOU COME OUT REFRESHED AND READY TO TAKE ON THE WORLD. 204 00:13:07,395 --> 00:13:08,483 HEY, JESS! 205 00:13:08,613 --> 00:13:10,006 -HEY, MITCH! 206 00:13:10,702 --> 00:13:11,747 -WHAT ARE YOU DOING? 207 00:13:11,878 --> 00:13:13,140 -THIS IS MY STUNT INSTRUCTOR. 208 00:13:14,358 --> 00:13:16,230 -NO, THAT IS ED SYMES. 209 00:13:16,360 --> 00:13:17,971 HE'S A MEDICAL SUPPLY SALESMAN. 210 00:13:18,101 --> 00:13:20,060 -AND A QUALIFIED STUNT INSTRUCTOR. 211 00:13:20,190 --> 00:13:21,322 HOW YOU DOING, BIG GUY? 212 00:13:21,452 --> 00:13:22,323 -QUALIFIED? 213 00:13:22,453 --> 00:13:23,367 WHERE'D YOU FIND HIM? 214 00:13:23,498 --> 00:13:24,542 -IN THE YELLOW PAGES. 215 00:13:25,630 --> 00:13:26,588 -YEAH, STUNTS R US. 216 00:13:26,718 --> 00:13:28,372 WELL, ACTUALLY, STUNTS R ME. 217 00:13:28,503 --> 00:13:30,853 IT'S KIND OF A ONE MAN OPERATION, HUH. 218 00:13:30,984 --> 00:13:32,333 BUT I'M THE BEST IN HOLLYWOOD. 219 00:13:32,463 --> 00:13:33,725 -YEAH, DID YOU SEE THAT NEW BRUCE WILLIS FILM? 220 00:13:33,856 --> 00:13:35,553 THE ONE WHERE HE FALLS OUT OF THE SKYSCRAPER? 221 00:13:35,684 --> 00:13:37,729 THAT'S NOT REALLY BRUCE, THAT'S ED! 222 00:13:37,860 --> 00:13:40,863 -WELL, ACTUALLY I WAS THE GUY THAT THAT GUY FELL ON. 223 00:13:40,994 --> 00:13:42,647 BUT WE GOT THE SHOT IN THREE TAKES. 224 00:13:42,778 --> 00:13:44,301 HEY, YOU OUT TO SEE ME FALL DOWN A FLIGHT OF STAIRS. 225 00:13:44,432 --> 00:13:45,389 NOBODY DOES IT BETTER. 226 00:13:45,520 --> 00:13:46,956 -DOESN'T SURPRISE ME. 227 00:13:47,087 --> 00:13:48,175 YOU DIDN'T PAY HIM ANY MONEY, DID YA? 228 00:13:48,305 --> 00:13:49,698 -YEAH, BUT IT'S WORTH IT. 229 00:13:49,829 --> 00:13:51,178 HE'S GONNA TEACH ME ALL THE TRICK OF THE TRADE. 230 00:13:51,308 --> 00:13:52,962 -NO, HE'S ALREADY TRICKED YOU. 231 00:13:53,093 --> 00:13:54,485 -NO, HE WAS JUST TEACHING ME HOW TO SELL THE PUNCH. 232 00:13:54,616 --> 00:13:55,443 COME ON. 233 00:13:55,573 --> 00:13:56,923 -YEAH, COME ON BIG GUY, HIT ME. 234 00:13:57,053 --> 00:13:58,707 -YEAH. -DON'T TEMPT ME. 235 00:13:58,838 --> 00:14:00,100 -NO, MAN, YOU'LL COME WITHIN 236 00:14:00,230 --> 00:14:01,884 AN EIGHTH OF AN INCH OF MY FACE. 237 00:14:02,015 --> 00:14:03,930 SEE, IT'S ALL BASED ON PHYSICS, KINETICS, AND TORQUE. 238 00:14:04,060 --> 00:14:05,192 OKAY, COME ON, COME ON, HIT ME. 239 00:14:05,322 --> 00:14:06,367 -NO! 240 00:14:07,063 --> 00:14:08,456 -ALL RIGHT JESSIE, WELL YOU COME ON AND HIT ME. 241 00:14:08,586 --> 00:14:10,066 HERE'S WHAT I WANT YOU TO DO, 242 00:14:10,197 --> 00:14:10,980 I WANT YOU TO TAKE A PUNCH ACROSS ME LIKE THIS 243 00:14:11,111 --> 00:14:12,852 AND I'LL SNAP MY HEAD BACK. 244 00:14:12,982 --> 00:14:14,331 IT'LL LOOK EXACTLY LIKE IT DOES ON THE SCREEN, OKAY? 245 00:14:14,462 --> 00:14:15,376 SO, READY? HIT ME. 246 00:14:16,638 --> 00:14:19,684 -AHH, GOD! 247 00:14:19,815 --> 00:14:20,990 ARE YOU OKAY? 248 00:14:21,121 --> 00:14:22,600 I'M SO SORRY! 249 00:14:22,731 --> 00:14:24,602 -I FORGOT TO FACTOR IN THE PREVAILING WINDS. 250 00:14:26,169 --> 00:14:28,128 -OH, ARE YOU OKAY? 251 00:14:29,085 --> 00:14:30,870 -NO, HE IS AN IDIOT. 252 00:14:33,002 --> 00:14:34,961 -ARE YOU GONNA BE OKAY? -WOW. 253 00:14:35,091 --> 00:14:36,484 -OH, I'M SO SORRY. 254 00:14:38,268 --> 00:14:39,661 -I SEE MONKEYS. 255 00:14:42,751 --> 00:14:44,100 -MITCH: SEEING ED SYMES AGAIN 256 00:14:44,231 --> 00:14:46,102 -PUT ME RIGHT BACK IN THE WATER. 257 00:14:46,233 --> 00:14:48,409 BUT, BY THE TIME I SWAM TO APRIL'S TOWER 258 00:14:48,539 --> 00:14:50,715 I WAS BACK TO THINKING POSITIVE THOUGHTS. 259 00:14:52,892 --> 00:14:55,068 HEY. -HEY! SWIMMING THE TOWERS? 260 00:14:55,198 --> 00:14:58,245 -YEAH, JUST TRYING TO GET RID OF THE BLUES. 261 00:14:58,985 --> 00:15:00,987 -WHAT'S WRONG? -OH, I DON'T KNOW. 262 00:15:01,726 --> 00:15:04,381 I'M ALL ALONE IN THIS BIG, QUIET HOUSE. 263 00:15:05,382 --> 00:15:06,209 I'M LONESOME. 264 00:15:07,471 --> 00:15:09,038 -GET A CAT. 265 00:15:09,996 --> 00:15:11,562 -WHAT'S THAT? -WHAT? 266 00:15:11,693 --> 00:15:13,913 -THAT SMILE. SOMETHING HAPPEN? 267 00:15:15,653 --> 00:15:17,786 -YEAH, I THINK I'M IN LOVE. 268 00:15:17,917 --> 00:15:19,483 -REALLY, WITH WHOM? 269 00:15:19,614 --> 00:15:21,268 -WELL I DON'T WANT TO SAY UNTIL I KNOW FOR SURE, 270 00:15:21,398 --> 00:15:23,313 -BUT WE HAVE A GREAT TIME TOGETHER. 271 00:15:23,444 --> 00:15:24,924 -COME ON, COME ON, YOU CAN TELL ME. 272 00:15:25,054 --> 00:15:25,968 I'M YOUR BOSS. 273 00:15:34,759 --> 00:15:36,326 -APRIL: FIRST WE HAD DINNER ON THE JETTY. 274 00:15:37,023 --> 00:15:39,416 HE SET UP A TABLE, THERE WERE CANDLES. 275 00:15:40,113 --> 00:15:41,462 IT WAS SO ROMANTIC. 276 00:15:46,423 --> 00:15:50,079 AFTERWARDS, WE DECIDED TO GO FOR A SWIM IN THE MOONLIGHT. 277 00:15:50,906 --> 00:15:53,169 -MITCH: AH, THE MOONLIGHT SWIM. 278 00:15:54,040 --> 00:15:55,258 -APRIL: IT WAS THE MOST EXCITING NIGHT 279 00:15:55,389 --> 00:15:56,781 I'D EVER SPENT WITH ANYBODY. 280 00:15:56,912 --> 00:16:02,004 OUR SHADOWS DANCED IN RHYTHM 281 00:16:03,484 --> 00:16:06,791 FROM THE STAR 282 00:16:10,056 --> 00:16:15,409 A SILHOUETTE SEDUCTION 283 00:16:16,453 --> 00:16:19,717 YOU HAVE MY HEART 284 00:16:21,763 --> 00:16:27,247 ALL I WANT... 285 00:16:27,377 --> 00:16:30,337 IS YOU 286 00:16:36,604 --> 00:16:40,564 ALL I WANT... 287 00:16:40,695 --> 00:16:44,351 IS YOU 288 00:17:14,337 --> 00:17:18,863 ALL I WANT... 289 00:17:20,126 --> 00:17:22,780 IS YOU 290 00:17:29,178 --> 00:17:33,095 ALL I WANT... 291 00:17:33,226 --> 00:17:36,055 IS YOU 292 00:17:58,599 --> 00:17:59,817 -MITCH: SO WHO WAS IT? 293 00:18:01,297 --> 00:18:03,169 -APRIL: I TOLD YOU I'M NOT GONNA TELL YOU. 294 00:18:03,734 --> 00:18:05,606 AT LEAST UNTIL I'M SURE THAT IT'S REAL. 295 00:18:11,829 --> 00:18:14,180 -WELL, SOUNDS TO ME LIKE YOU'RE ALREADY PRETTY SURE. 296 00:18:14,310 --> 00:18:16,617 -WELL THERE'S A PROBLEM, HE'S OLDER. 297 00:18:17,226 --> 00:18:18,532 -HM, HOW MUCH OLDER? 298 00:18:19,228 --> 00:18:20,795 -OLDER. YOUR AGE. 299 00:18:20,925 --> 00:18:22,101 -UGH. ANTIQUE, HUH? 300 00:18:22,231 --> 00:18:25,321 -NO, I DON'T MEAN THAT, IT'S JUST... 301 00:18:25,974 --> 00:18:28,368 WELL I'VE NEVER FELT THIS WAY BEFORE AND I'M AFRAID. 302 00:18:29,108 --> 00:18:30,587 -SOUNDS TO ME LIKE YOU'RE FALLING IN LOVE, KIDDO. 303 00:18:32,241 --> 00:18:33,982 THAT'S EXACTLY HOW YOU'RE SUPPOSED TO FEEL. 304 00:18:34,113 --> 00:18:35,201 -NO, IT'S... 305 00:18:35,940 --> 00:18:37,551 I JUST DON'T WANT TO LOSE IT, MITCH. 306 00:18:38,117 --> 00:18:39,161 -WELL IF YOU DON'T TAKE THE RISK, 307 00:18:39,292 --> 00:18:40,554 YOU WON'T HAVE IT TO LOSE. 308 00:18:42,077 --> 00:18:44,210 -YEAH, I GUESS SO. THANKS. 309 00:18:44,340 --> 00:18:45,124 -ON THE HOUSE. 310 00:18:45,254 --> 00:18:46,995 UH, GOT TO GO. 311 00:18:47,648 --> 00:18:48,866 IT ALWAYS LIFTS YOUR SPIRITS 312 00:18:48,997 --> 00:18:50,390 TALKING TO SOMEONE WHO'S IN LOVE. 313 00:18:51,042 --> 00:18:52,392 SHE WOULDN'T REVEAL HER SECRET, 314 00:18:52,522 --> 00:18:54,611 BUT I HAD A CLUE AS TO WHO IT WAS. 315 00:19:12,934 --> 00:19:13,848 -HEY! 316 00:19:13,978 --> 00:19:15,371 -HEY, WHAT ARE YOU UP TO? 317 00:19:15,502 --> 00:19:17,199 -AH, JUST A LITTLE SOUL-SEARCHING. 318 00:19:17,808 --> 00:19:19,462 HOW COME YOU DIDN'T MAKE THE POKER GAME LAST NIGHT? 319 00:19:20,507 --> 00:19:22,987 -I WAS BUSY. -REALLY? 320 00:19:23,597 --> 00:19:24,772 I HOPE SHE WAS WORTH IT, 321 00:19:24,902 --> 00:19:25,860 I REALLY MISSED TAKING YOUR MONEY. 322 00:19:27,078 --> 00:19:28,254 -OH, MAYBE YOU'LL GET IT NEXT WEEK. 323 00:19:28,384 --> 00:19:29,385 AND MAYBE SHE WAS WORTH IT. 324 00:19:30,169 --> 00:19:31,039 -WHAT'S HER NAME? 325 00:19:31,170 --> 00:19:32,562 -EH, IT DOESN'T MATTER. 326 00:19:32,693 --> 00:19:34,085 YOU KNOW IT'S PROBABLY NOT GONNA WORK OUT 327 00:19:34,216 --> 00:19:35,913 AND TRUTH IS IT SCARES ME HALF TO DEATH. 328 00:19:36,044 --> 00:19:38,481 -EVEN A SEASONED VETERAN LIKE CRAIG POMEROY. 329 00:19:39,265 --> 00:19:40,831 -AFTER MY DIVORCE FROM GINA, 330 00:19:42,572 --> 00:19:44,444 WELL HEARTS GET BROKEN. 331 00:19:44,574 --> 00:19:46,141 I DON'T THINK I EVER WANT TO GO THROUGH THAT AGAIN. 332 00:19:47,621 --> 00:19:49,797 -AFTER GAYLE AND I GOT DIVORCED, 333 00:19:49,927 --> 00:19:51,320 THE THOUGHT OF GETTING INVOLVED 334 00:19:51,451 --> 00:19:52,974 WITH ANOTHER WOMAN WAS OUT OF THE QUESTION. 335 00:19:53,496 --> 00:19:54,367 BUT YOU KNOW WHAT? 336 00:19:54,497 --> 00:19:55,368 IT GOES AWAY, BUDDY. 337 00:19:55,498 --> 00:19:57,108 SO GO FOR IT, GIVE IT A TRY. 338 00:19:57,239 --> 00:19:58,501 -NAH, IT'S TOO SOON. 339 00:19:58,632 --> 00:19:59,894 TOO RISKY, I MEAN WHAT IF? 340 00:20:00,024 --> 00:20:01,156 -WHAT IF, WHAT IF? 341 00:20:01,287 --> 00:20:02,592 THERE'S ALWAYS A IF. 342 00:20:02,723 --> 00:20:03,941 IT'S CALLED LIFE. 343 00:20:04,464 --> 00:20:05,682 I MEAN FOR GOD'S SAKES, 344 00:20:06,248 --> 00:20:08,685 THERE'S AN "IF" RIGHT IN THE MIDDLE OF THE WORD LIFE. 345 00:20:11,645 --> 00:20:14,038 -THAT'S INCREDIBLY CORNY AND I'VE HEARD IT BEFORE. 346 00:20:14,169 --> 00:20:15,953 -NOT THAT PART ABOUT "IF" IN THE MIDDLE OF THE WORD LIFE, 347 00:20:16,084 --> 00:20:17,128 'CAUSE I-- I JUST MADE THAT UP. 348 00:20:17,259 --> 00:20:18,826 -WELL THEN THAT'S PRETTY GOOD. 349 00:20:18,956 --> 00:20:19,740 -THANK YOU, I THOUGHT SO. 350 00:20:19,870 --> 00:20:20,697 -YOU'RE WELCOME. 351 00:20:20,828 --> 00:20:22,003 [ENGINE REVVING] 352 00:20:22,786 --> 00:20:24,092 -LOOK AT THAT BOAT. 353 00:20:24,223 --> 00:20:27,313 [WOMAN SCREAMING] 354 00:20:28,836 --> 00:20:29,880 -COME ON, LET'S GO! 355 00:20:40,848 --> 00:20:41,892 LOOK LIKE THE THROTTLE'S JAMMED. 356 00:20:42,023 --> 00:20:43,416 COME ON, LET'S GO! 357 00:21:29,766 --> 00:21:31,028 -APRIL: IT'S OKAY, HANG IN THERE. 358 00:21:31,159 --> 00:21:32,595 -MITCH: GET AS CLOSE AS YOU CAN. 359 00:21:33,640 --> 00:21:35,946 OKAY, ALL RIGHT. AH! 360 00:21:53,050 --> 00:21:54,878 ALL RIGHT, THERE YOU GO. 361 00:21:58,360 --> 00:21:59,927 YOU ALL RIGHT? -YEAH. 362 00:22:00,057 --> 00:22:02,364 ALL RIGHT. PUT THIS AROUND YOU, STAY WARM. 363 00:22:03,713 --> 00:22:05,149 -APRIL: HEY, CAN I BUM A RIDE? 364 00:22:07,587 --> 00:22:10,677 -NEXT TIME, DON'T FORGET TO WEAR YOUR LEASH, HUH? 365 00:22:10,807 --> 00:22:12,069 THIS KILLS THE ENGINE, ALL RIGHT? 366 00:22:12,200 --> 00:22:13,027 -OKAY. 367 00:22:13,157 --> 00:22:14,028 -CRAIG: HEY LAST NIGHT? 368 00:22:14,158 --> 00:22:16,639 -I LOVED IT. -ME, TOO. 369 00:22:17,205 --> 00:22:19,250 -WELL, WELL, WELL. 370 00:22:19,381 --> 00:22:23,167 IF I WERE YOU TWO, I'D DEFINITELY TAKE THE RISK. 371 00:22:30,000 --> 00:22:31,088 WELL WHAT A SURPRISE. 372 00:22:31,611 --> 00:22:33,177 HEY, IF IT WORKS FOR THEM IT WORKS FOR ME. 373 00:22:33,308 --> 00:22:34,875 AS LONG AS IT MAKES YOU HAPPY. 374 00:22:36,616 --> 00:22:37,617 HEY! 375 00:22:38,182 --> 00:22:39,880 -HEY, MITCH, WHAT ARE YOU DOING OUT THERE? 376 00:22:40,010 --> 00:22:41,272 I BEEN WATCHING YOU FOR HOURS. 377 00:22:41,403 --> 00:22:42,186 -AH, JUST WORKING SOME THINGS OUT. 378 00:22:43,362 --> 00:22:44,972 LISTEN, YOU NEED TO FILL OUT AN INCIDENT REPORT 379 00:22:45,102 --> 00:22:45,886 ON THAT RESCUE YOU MADE. 380 00:22:46,016 --> 00:22:47,278 -YEAH, SURE, NO BIG DEAL. 381 00:22:47,409 --> 00:22:49,106 -YOU WANT TO FILL ME IN? 382 00:22:49,237 --> 00:22:51,282 -SURE. WE DIDN'T EVEN KNOW WHAT WE WERE LOOKING AT 383 00:22:51,413 --> 00:22:52,893 UNTIL WE GOT DOWN THERE. 384 00:23:05,253 --> 00:23:07,647 CODY KNEW THE LITTLE GIRLS WERE TOP PRIORITY, 385 00:23:07,777 --> 00:23:09,388 SO HE GOT ME TO SWIM 'EM UP, 386 00:23:09,518 --> 00:23:11,651 YOU KNOW, ABOUT A SECOND BEFORE THEY WERE GONERS. 387 00:23:13,479 --> 00:23:16,438 THEY WERE SAFE SO I WENT BACK DOWN TO HELP CODY OUT. 388 00:23:16,569 --> 00:23:18,092 CODY WAS ON TOP OF THINGS. 389 00:23:18,222 --> 00:23:20,790 THOSE UNIFORMS THE COPS HAD ON WERE WATERLOGGED. 390 00:23:21,487 --> 00:23:23,489 I MEAN, THEY WERE DROWNING. 391 00:23:23,619 --> 00:23:25,273 I STARTED HELPING HIM YANK THEIR CLOTHES OFF. 392 00:23:25,404 --> 00:23:27,144 I JUST FOLLOWED HIS LEAD. 393 00:23:27,275 --> 00:23:29,277 THEN WE GOT 'EM UP, SIMPLE REALLY. 394 00:23:29,408 --> 00:23:30,757 -DIDN'T SOUND SIMPLE TO ME. 395 00:23:31,322 --> 00:23:32,628 SOUNDS LIKE A TERRIFIC RESCUE. 396 00:23:32,759 --> 00:23:34,108 -YEAH? -YEAH. 397 00:23:34,238 --> 00:23:35,718 -WELL, IT WAS MOSTLY CODY. 398 00:23:36,240 --> 00:23:39,026 I JUST DID WHAT I GET PAID TO DO, SAVE LIVES. 399 00:23:39,156 --> 00:23:41,158 -DO ME A FAVOR, CHECK WITH ME AFTER YOUR SHIFT 400 00:23:41,289 --> 00:23:42,333 AND, UH, SIGN THE REPORT, HUH? 401 00:23:42,464 --> 00:23:43,422 -OKAY. 402 00:23:44,640 --> 00:23:45,989 LIKE I SAID, IT WAS MOSTLY CODY. 403 00:23:46,120 --> 00:23:46,990 -YEAH. 404 00:23:47,121 --> 00:23:48,035 -PIECE OF CAKE FOR ME. 405 00:23:48,165 --> 00:23:49,123 -SEE YA. 406 00:23:53,170 --> 00:23:54,737 -YOU KNOW, SWEETHEART, 407 00:23:54,868 --> 00:23:56,347 THE HIGH FALL IS ONE OF THE MOVIES' CLASSIC STUNTS. 408 00:23:56,957 --> 00:23:58,219 -ARE YOU SURE YOU KNOW WHAT YOU'RE DOING? 409 00:23:58,349 --> 00:23:59,873 -OH, I'M A PRO, LAMB CHOP. 410 00:24:00,003 --> 00:24:01,875 LISTEN, A STUNT MAN LEAVES NOTHING TO CHANCE. 411 00:24:02,005 --> 00:24:03,659 THIS IS AN ART FORM AND I'M AN ARTIST. 412 00:24:03,790 --> 00:24:05,705 YOU STICK BY MY SIDE AND YOU'LL LEARN SOMETHING. 413 00:24:05,835 --> 00:24:07,707 -OKAY. 414 00:24:07,837 --> 00:24:09,230 -SEE THAT MATTRESS IS DOWN THERE TO BREAK YOUR FALL, 415 00:24:09,360 --> 00:24:11,014 BUT THERE'S A FEW THINGS YOU GOT TO COMPUTE: 416 00:24:11,145 --> 00:24:12,625 YOUR HEIGHT, YOUR WEIGHT, 417 00:24:12,755 --> 00:24:14,844 THE ANGLE OF DESCENT, THE GRAVITY CONFIGURATION. 418 00:24:14,975 --> 00:24:16,237 ARE YOU TAKING NOTES, BY THE WAY? 419 00:24:16,367 --> 00:24:17,499 -NO, BUT I'M WITH YOU. 420 00:24:17,630 --> 00:24:19,240 -AND, OF COURSE, WE CAN'T FORGET 421 00:24:19,936 --> 00:24:21,590 THE PREVAILING WINDS THIS TIME. 422 00:24:21,721 --> 00:24:24,288 -UH, YOU KNOW, I REALLY DON'T THINK YOU SHOULD DO THIS. 423 00:24:24,419 --> 00:24:26,726 -COME ON, THIS IS BASIC STUNTS 101. 424 00:24:26,856 --> 00:24:28,118 LOOK, I TELL YOU WHAT. 425 00:24:28,249 --> 00:24:29,729 LET'S SAY YOU'RE THE CAMERA, OKAY? 426 00:24:29,859 --> 00:24:31,600 AND WE'RE AT THE TOP OF THE EMPIRE STATE BUILDING 427 00:24:31,731 --> 00:24:34,821 AND TOM CRUISE IS-- IS BEING CHASED BY SOME BAD GUY, 428 00:24:34,951 --> 00:24:36,213 AND HE'S GOT A KNIFE. 429 00:24:36,344 --> 00:24:37,301 AND TOM CRUISE DOESN'T KNOW WHAT TO DO, 430 00:24:37,432 --> 00:24:38,564 AND THE MUSIC COMES UP, 431 00:24:38,694 --> 00:24:40,479 DUM, DUM, DUM, DUM, DUM, DUM. 432 00:24:40,609 --> 00:24:42,176 AND ALL OF A SUDDEN, FOR NO REASON, 433 00:24:42,306 --> 00:24:44,526 HE JUST JUMPS UP LIKE THIS ON THE RAILING, OKAY? 434 00:24:45,048 --> 00:24:46,572 ALL RIGHT, AND THEN WHAT HAPPENS? 435 00:24:46,702 --> 00:24:49,662 CUT. AND WEENIE, WIMPY ACTOR TOM CRUISE STEPS DOWN 436 00:24:49,792 --> 00:24:52,229 AND STUNT MAN EXTRAORDINAIRE, ED SYMES, 437 00:24:52,360 --> 00:24:53,448 STEPS IN TO DOUBLE HIM. 438 00:24:55,755 --> 00:24:57,191 OKAY, NOW GO AHEAD AND SHOOT ME. 439 00:24:57,321 --> 00:24:59,193 -UM, YOU KNOW, I REALLY DON'T THINK 440 00:24:59,323 --> 00:25:00,107 THIS IS SUCH A GOOD IDEA. 441 00:25:00,237 --> 00:25:01,369 -OH, IT'S A GREAT IDEA. 442 00:25:01,500 --> 00:25:02,588 COME ON NOW, SHOOT ME. 443 00:25:02,718 --> 00:25:05,504 COME ON, JUST SHOOT ME. SHOOT ME! 444 00:25:07,288 --> 00:25:08,811 -BANG. -OOH! 445 00:25:17,428 --> 00:25:19,692 -AH! -ED: UH-OH. 446 00:25:23,304 --> 00:25:24,784 -OH MY GOSH, ARE YOU OKAY? 447 00:25:41,061 --> 00:25:42,932 HEY, ARE YOU OKAY? 448 00:25:43,063 --> 00:25:47,371 -OH, YEAH. ABSOLUTELY, ABSOLUTELY. 449 00:25:47,502 --> 00:25:49,678 -ED, DON'T TAKE THIS PERSONALLY? 450 00:25:49,809 --> 00:25:51,419 -OKAY. -BUT YOU'RE FIRED. 451 00:25:51,550 --> 00:25:53,726 -WHAT? WHY WOULD YOU FIRE ME? 452 00:25:53,856 --> 00:25:55,336 -TO SAVE YOUR LIFE. 453 00:25:55,466 --> 00:25:56,555 -WELL, WAIT A MINUTE. 454 00:25:56,685 --> 00:25:58,165 WE-- WE COULD DISCUSS THIS. 455 00:25:58,295 --> 00:25:59,470 I MEAN, AFTER ALL, I JUST... 456 00:25:59,601 --> 00:26:02,735 HEY, OH, OH. 457 00:26:02,865 --> 00:26:04,563 I THINK I'LL LIE DOWN FOR JUST A LITTLE WHILE. 458 00:26:11,091 --> 00:26:12,788 -MITCH: MY NEXT STOP WAS CODY'S TOWER 459 00:26:12,919 --> 00:26:15,486 SO I COULD GET HIS VERSION OF THE PIER RESCUE. 460 00:26:15,617 --> 00:26:17,576 THERE'S SOMETHING ABOUT J.D.'S VERSION 461 00:26:17,706 --> 00:26:19,360 THAT DIDN'T SEEM QUITE RIGHT. 462 00:26:22,581 --> 00:26:25,192 -CODY: HEY! DOING THE TOWER SWIM, HUH? 463 00:26:25,845 --> 00:26:26,889 -I TALKED TO J.D. 464 00:26:27,411 --> 00:26:29,196 A PRETTY HAIRY PIER RESCUE, HUH? 465 00:26:29,326 --> 00:26:30,893 -NAH, PIECE OF CAKE. 466 00:26:31,590 --> 00:26:32,634 -REALLY? 467 00:26:32,765 --> 00:26:33,896 -YEAH. -THAT'S WHAT HE SAID. 468 00:26:34,027 --> 00:26:35,637 -I JUST DID WHAT HE TOLD ME TO DO. 469 00:26:35,768 --> 00:26:37,726 -WELL HE TOLD ME HE FOLLOWED YOUR LEAD 470 00:26:37,857 --> 00:26:39,032 AND THAT YOU TOOK CHARGE. 471 00:26:39,162 --> 00:26:42,252 -NO. HE KNEW WHAT TO DO RIGHT AWAY. 472 00:26:57,659 --> 00:27:00,444 FROM THE GET-GO, J.D. SAW THAT THE COPS WERE IN TROUBLE. 473 00:27:00,575 --> 00:27:02,838 THEIR UNIFORMS WERE TOTALLY WATERLOGGED, MAN. 474 00:27:02,969 --> 00:27:05,275 THEY PROBABLY WEIGHED 300 POUNDS IN THE WATER. 475 00:27:12,456 --> 00:27:14,589 J.D. KNEW THAT THE LITTLE GIRLS CAME FIRST. 476 00:27:14,720 --> 00:27:16,112 HE GRABBED THEM AND THEN SIGNALED 477 00:27:16,243 --> 00:27:17,766 FOR ME TO YANK THE CLOTHES OFF THE COPS. 478 00:27:31,127 --> 00:27:32,476 -SO YOU'RE TELLING ME THAT J.D. 479 00:27:32,607 --> 00:27:33,956 ASSUMED COMMAND OF THE RESCUE, NOT YOU? 480 00:27:34,087 --> 00:27:36,480 -YEAH. LISTEN, I'D LOVE TO BE IN THE SPOTLIGHT, 481 00:27:36,611 --> 00:27:39,396 BUT IT WAS J.D. WHO DID ALL THE RIGHT STUFF. 482 00:27:40,093 --> 00:27:41,572 -OKAY. DO ME A FAVOR. 483 00:27:41,703 --> 00:27:43,009 FILL OUT AN INCIDENT REPORT, EH? 484 00:27:43,139 --> 00:27:44,010 -YOU GOT IT. 485 00:27:44,793 --> 00:27:46,490 -ALL RIGHT, SEE YA. -GO GET 'EM. 486 00:28:15,128 --> 00:28:16,956 -WHY'D YOU TELL MITCH I WAS SOME KIND OF BIG-TIME HERO? 487 00:28:17,086 --> 00:28:18,131 -WHY'D YOU TELL HIM I WAS? 488 00:28:18,261 --> 00:28:19,872 -'CAUSE YOU WERE THE MAN, J.D.. 489 00:28:20,394 --> 00:28:22,352 -HEY, WE BOTH JUST DID WHAT WE HAD TO DO. 490 00:28:22,483 --> 00:28:23,614 IT'S NO BIGGIE. 491 00:28:23,745 --> 00:28:25,399 -NO, BUT MAYBE IT WAS, YOU KNOW? 492 00:28:25,921 --> 00:28:27,314 I MEAN, BOTH CRAIG AND APRIL 493 00:28:27,444 --> 00:28:28,532 WANT TO NOMINATE US FOR THE MEDAL OF VALOR, 494 00:28:28,663 --> 00:28:29,708 GETTING US ALL PUMPED UP? 495 00:28:30,578 --> 00:28:31,448 MAYBE WE EARNED IT. 496 00:28:32,232 --> 00:28:33,624 -NAH, IT'S ALL PART OF THE JOB. 497 00:28:34,147 --> 00:28:35,322 IT WAS NOTHING SPECIAL. 498 00:28:35,452 --> 00:28:37,150 -AH, MAYBE YOU'RE RIGHT. 499 00:28:38,064 --> 00:28:40,022 MEDALS OF VALOR BELONG TO THE REAL PROS, 500 00:28:40,153 --> 00:28:42,068 THE MITCHES, THE NEWMIES. 501 00:28:42,677 --> 00:28:44,287 -WE'RE NOT HALF THE LIFEGUARDS THOSE GUYS ARE. 502 00:28:45,071 --> 00:28:46,202 -SOMEDAY, MAYBE. 503 00:28:46,986 --> 00:28:48,596 -YEAH, SOMEDAY. 504 00:28:49,379 --> 00:28:52,252 -WELL, AT LEAST WE CAN DREAM, YOU KNOW? 505 00:28:52,905 --> 00:28:55,168 -YUP. AND SOMETIMES DREAMS COME TRUE. 506 00:28:55,995 --> 00:28:59,215 GOT TO GO. HEY, YOU WERE GOOD DOWN THERE. 507 00:28:59,955 --> 00:29:01,478 -YOU, TOO. I'LL SEE YA. 508 00:29:09,617 --> 00:29:11,227 -MITCH: BY THIS TIME, AS YOU CAN IMAGINE, 509 00:29:11,358 --> 00:29:13,055 I'M GETTING PRETTY TIRED. 510 00:29:13,186 --> 00:29:16,363 BUT STILL, THIS CODY-J.D. THING DIDN'T MAKE ANY SENSE. 511 00:29:17,059 --> 00:29:19,453 WHY WERE THEY MAKING EACH OTHER OUT TO BE THE HERO? 512 00:29:20,323 --> 00:29:22,717 THEN I REALIZED I WASN'T ALONE OUT THERE. 513 00:29:23,283 --> 00:29:26,112 WHAT THE HECK WAS A DOG DOING THAT FAR OFF FROM SHORE? 514 00:29:26,242 --> 00:29:29,376 WELL, A RESCUE IS A RESCUE, AND I AM A LIFEGUARD. 515 00:29:29,506 --> 00:29:31,682 SO, I CAME TO HIS AID. 516 00:29:43,303 --> 00:29:44,826 HEY, HEY, HEY, HEY BUDDY. 517 00:29:44,957 --> 00:29:46,785 WHAT ARE YOU DOING SO FAR OUT HERE, HUH? 518 00:29:46,915 --> 00:29:48,525 [DOG WHINING] HUH? 519 00:29:49,222 --> 00:29:51,485 YOU'RE REALLY FAR OFF SHORE, ARE YOU OKAY? 520 00:29:51,615 --> 00:29:54,923 YOU JUST TAKE IT EASY BECAUSE I AM AN LA COUNTY LIFEGUARD, 521 00:29:55,054 --> 00:29:56,403 AND I'M GOING TO SAVE YOU, OKAY? 522 00:29:56,533 --> 00:29:57,534 LET'S GO. 523 00:29:57,665 --> 00:29:59,058 HEY, THAT A BOY. 524 00:29:59,188 --> 00:29:59,972 LET'S GO. 525 00:30:00,102 --> 00:30:01,669 YEAH, THAT A BOY. 526 00:30:02,713 --> 00:30:04,193 YEAH, THAT A BOY. 527 00:30:07,327 --> 00:30:10,025 AND JUST LIKE THAT I HAD A NEW BEST FRIEND. 528 00:30:10,156 --> 00:30:11,984 YEAH, YOU'RE ALL RIGHT, PAL. 529 00:30:12,114 --> 00:30:13,420 LET'S GET YOU DRIED OFF HERE, 530 00:30:13,550 --> 00:30:15,204 YOU'LL BE AS GOOD AS NEW. 531 00:30:18,381 --> 00:30:19,905 3HEY, HOW'S YOUR STUNT INSTRUCTOR? 532 00:30:20,427 --> 00:30:23,125 -UGH, YOU DON'T WANT TO BE AN I TOLD YOU SO, DO YOU? 533 00:30:23,256 --> 00:30:25,388 -NOPE, BUT I TOLD YOU SO. 534 00:30:27,390 --> 00:30:29,001 -HEY, WHO YOU GOT HERE? 535 00:30:29,131 --> 00:30:31,220 -I DON'T KNOW, HE DOESN'T HAVE A COLLAR. 536 00:30:31,351 --> 00:30:33,744 I FOUND HIM TREADING WATER JUST OFFSHORE. 537 00:30:33,875 --> 00:30:35,137 -DID HE JUST SWIM OUT THERE? 538 00:30:35,268 --> 00:30:38,314 -MAYBE. MAYBE HE FELL OFF A BOAT OR... 539 00:30:38,445 --> 00:30:40,534 MAYBE SOME MORON THREW HIM OVERBOARD. 540 00:30:41,230 --> 00:30:43,493 ANYWAY HE'S NAMELESS AND HOMELESS. 541 00:30:43,624 --> 00:30:46,018 -AW. [DOG WHIMPERING] 542 00:30:49,325 --> 00:30:50,979 -UH, DO ME A FAVOR, WOULD YOU, 543 00:30:51,110 --> 00:30:52,415 AND WATCH HIM FOR A COUPLE MINUTES? 544 00:30:52,546 --> 00:30:54,156 -YEAH, SURE. HAPPY TO. 545 00:30:55,462 --> 00:30:57,943 BABY, I'M GOING TO LOVE ON YOU, OKAY? 546 00:31:09,128 --> 00:31:10,259 -WHAT? 547 00:31:10,390 --> 00:31:12,261 -YOU LOOK LIKE BOB'S BIG BOY. 548 00:31:12,392 --> 00:31:13,959 WHAT HAPPENED, CHIPMUNK DIE? 549 00:31:15,003 --> 00:31:16,787 -I WALKED PAST HER THREE TIMES ON PURPOSE. 550 00:31:16,918 --> 00:31:18,354 SHE DIDN'T EVEN NOTICE ME. 551 00:31:18,485 --> 00:31:19,747 -THIS, YOU NOTICE. 552 00:31:19,878 --> 00:31:21,227 WHY DON'T YOU JUST BE YOURSELF? 553 00:31:21,357 --> 00:31:22,402 -I HAVE BEEN. 554 00:31:23,272 --> 00:31:24,926 NOT SO MUCH AS A SMILE. 555 00:31:25,666 --> 00:31:28,060 -NEWMIE, YOU'RE TRYING TO BE SOMEONE THAT YOU'RE NOT. 556 00:31:28,190 --> 00:31:31,411 -YEAH? WELL JUST WHO AM I ANYWAY, HUH? 557 00:31:31,541 --> 00:31:34,457 I'M JUST SOME LIFEGUARD GETTING OLD AND BALD ON THE BEACH. 558 00:31:34,588 --> 00:31:36,895 I DON'T KNOW, I'M THINKING ABOUT GOING BACK TO SCHOOL. 559 00:31:38,026 --> 00:31:40,637 GETTING A REAL JOB, BECOMING SOMEBODY IMPORTANT. 560 00:31:41,638 --> 00:31:44,380 -I FELT THE SAME WAY, EXCEPT FOR THE BALD PART. 561 00:31:45,120 --> 00:31:47,818 I WONDERED IF I WAS SOMEONE WHO REALLY MATTERED. 562 00:31:47,949 --> 00:31:49,908 SOMEONE WHO DID SOMETHING WITH HIS LIFE. 563 00:31:50,038 --> 00:31:52,301 OR DID I WANNA WAKE UP ONE DAY, AN OLD MAN 564 00:31:52,432 --> 00:31:55,174 IN RED SHORTS, ASKING MYSELF THIS QUESTION: 565 00:31:56,175 --> 00:31:58,220 MITCH BUCHANNON, ARE YOU AN IMPORTANT PERSON? 566 00:31:58,351 --> 00:31:59,961 DID YOU MAKE A CONTRIBUTION? 567 00:32:00,788 --> 00:32:01,658 BIG QUESTION. 568 00:32:02,703 --> 00:32:04,226 -WHAT WAS THE ANSWER? 569 00:32:04,357 --> 00:32:05,793 -HELL YES. 570 00:32:05,924 --> 00:32:07,664 I WORK WITH PEOPLE WHO NEED ME. 571 00:32:07,795 --> 00:32:09,144 I SAVE LIVES. 572 00:32:09,797 --> 00:32:11,973 I COULD TAKE ANOTHER JOB AND MAKE A MILLION DOLLARS, 573 00:32:12,104 --> 00:32:14,497 BUT NO AMOUNT OF MONEY CAN GIVE YOU THE FEELING YOU GET 574 00:32:14,628 --> 00:32:16,412 WHEN YOU SAVE SOMEONE'S LIFE. 575 00:32:16,543 --> 00:32:17,979 YOU KNOW THAT FEELING, NEWMIE. 576 00:32:18,937 --> 00:32:19,850 -I DO. 577 00:32:21,200 --> 00:32:22,853 HM, AND I LIKE IT. 578 00:32:25,334 --> 00:32:26,205 I'M A LIFEGUARD. 579 00:32:26,335 --> 00:32:27,641 -YOU'RE A LIFEGUARD! 580 00:32:30,426 --> 00:32:31,514 -I'M NEWMIE. 581 00:32:32,515 --> 00:32:33,821 --YOU'RE NEWMIE! 582 00:32:36,867 --> 00:32:38,043 THAT THING'S CRAWLING AWAY. 583 00:32:41,437 --> 00:32:42,395 -OH, GOT IT. 584 00:33:05,766 --> 00:33:08,029 BRING IT ON 585 00:33:10,945 --> 00:33:13,121 BRING IT ON 586 00:33:16,255 --> 00:33:18,170 BRING IT ON 587 00:33:20,781 --> 00:33:23,175 BRING IT ON 588 00:33:26,830 --> 00:33:30,530 WHO DO YOU THINK YOU ARE 589 00:33:30,660 --> 00:33:33,576 I'M GONNA TAKE YOU DOWN 590 00:33:36,579 --> 00:33:40,844 YEAH WHO DO YOU THINK YOU ARE 591 00:33:40,975 --> 00:33:43,412 I'M GONNA BREAK YOU DOWN 592 00:33:48,635 --> 00:33:50,854 I'VE GOT IT COMIN' 593 00:33:53,466 --> 00:33:56,295 I'M ON MY GAME 594 00:33:58,732 --> 00:34:00,995 I'VE GOT YOU RUNNIN' 595 00:34:03,824 --> 00:34:07,349 I'M ON MY GAME 596 00:34:11,745 --> 00:34:14,443 BRING IT ON 597 00:34:16,750 --> 00:34:19,318 BRING IT ON 598 00:34:21,755 --> 00:34:23,931 BRING IT ON 599 00:34:35,986 --> 00:34:37,597 -YEAH! 600 00:34:41,949 --> 00:34:43,472 -YEAH! 601 00:34:55,180 --> 00:34:56,268 -CODY: ALL RIGHT HERE HE COMES, ACT COOL. 602 00:34:56,877 --> 00:34:58,835 HEY MAN! HOW WAS THE TOWER SWIM? 603 00:34:58,966 --> 00:35:00,663 -GREAT. 604 00:35:00,794 --> 00:35:02,926 SO YOU GUYS FIGURED OUT THE PIER RESCUE SCENARIO, YET? 605 00:35:03,057 --> 00:35:04,493 -BOTH: YEAH. HE'S THE HERO. 606 00:35:05,451 --> 00:35:07,409 -YEAH, WE FIGURED THAT WE BOTH DID IT. 607 00:35:07,540 --> 00:35:08,628 -GOOD. 608 00:35:09,150 --> 00:35:10,891 -UH, MITCH. -YEAH? 609 00:35:11,021 --> 00:35:13,111 -UH, IT WAS A PRETTY GOOD RESCUE. 610 00:35:13,241 --> 00:35:14,329 -YEAH, IT WAS. 611 00:35:14,460 --> 00:35:16,288 -UH, MITCH? -WHAT? 612 00:35:16,418 --> 00:35:18,812 4-UH, IT'S FUNNY BECAUSE BOTH CRAIG AND APRIL 613 00:35:18,942 --> 00:35:20,379 THOUGHT IT WAS GOOD ENOUGH TO BE NOMINATED 614 00:35:20,509 --> 00:35:21,467 FOR THE MEDAL OF VALOR. 615 00:35:21,597 --> 00:35:23,425 -THEY DID? 616 00:35:23,556 --> 00:35:26,646 -YEAH, UH, BUT WE TOLD THEM NO. 617 00:35:26,776 --> 00:35:28,126 -GOOD CALL. -BUT, UH... 618 00:35:28,865 --> 00:35:30,737 WE CHANGED OUR MINDS. 619 00:35:30,867 --> 00:35:32,608 -YEAH, WE'D LIKE TO BE NOMINATED FOR THE MEDAL OF VALOR. 620 00:35:33,479 --> 00:35:35,611 BUT WE NEED A NOMINATOR. 621 00:35:35,742 --> 00:35:38,266 -AND YOU WANT ME TO NOMINATE YOU GUYS? 622 00:35:38,397 --> 00:35:39,311 -BOTH: YEAH. 623 00:35:39,441 --> 00:35:40,660 -HAVE YOU THOUGHT THIS THROUGH? 624 00:35:40,790 --> 00:35:42,052 -YEAH, WHAT DO YOU MEAN? 625 00:35:42,183 --> 00:35:43,750 -IF IT GOT OUT THAT THOSE TWO COPS 626 00:35:43,880 --> 00:35:45,708 HAD TO BE RESCUED IN THEIR UNDERWEAR, 627 00:35:46,405 --> 00:35:48,537 THEY'D BE THE LAUGHING STOCK OF THE ENTIRE POLICE FORCE. 628 00:35:48,668 --> 00:35:49,712 -YOU THINK? 629 00:35:49,843 --> 00:35:51,018 -PUT YOURSELF IN THEIR SHOES. 630 00:35:51,149 --> 00:35:51,975 HOW WOULD YOU FEEL? 631 00:35:52,106 --> 00:35:53,499 YOU CAN'T EMBARRASS THEM 632 00:35:53,629 --> 00:35:55,196 BY MAKING THIS RESCUE PUBLIC KNOWLEDGE. 633 00:35:55,327 --> 00:35:58,678 BESIDES THAT, MIGHT AS WELL PAINT A BULLSEYE ON YOUR BACK 634 00:35:58,808 --> 00:36:00,506 FOR EVERY TRAFFIC COP IN SANTA MONICA. 635 00:36:00,636 --> 00:36:01,724 -YOU'RE RIGHT. 636 00:36:01,855 --> 00:36:03,726 -YEAH, WE KNOW WHAT WE DID. 637 00:36:03,857 --> 00:36:05,293 IT'S GOOD ENOUGH. -YEAH. 638 00:36:05,424 --> 00:36:08,209 -GOOD. I'M GOING TO CLIMB THE STAIRS NOW. 639 00:36:08,340 --> 00:36:09,297 IS THAT OKAY? 640 00:36:10,211 --> 00:36:12,170 -BOTH: SURE. -THANK YOU. 641 00:36:17,392 --> 00:36:18,698 -COME HERE. 642 00:36:18,828 --> 00:36:21,048 OH, LOOK, THERE'S YOUR DADDY! 643 00:36:21,179 --> 00:36:22,745 -HEY, HOW'S IT GOING PARTNER? 644 00:36:27,881 --> 00:36:30,840 -NO WAY. HE'S BACK. 645 00:36:31,363 --> 00:36:33,539 OH MY GOSH, HOW DO YOU GET RID OF THIS GUY? 646 00:36:34,061 --> 00:36:35,889 -I'LL TELL YOU WHEN I FIGURE IT OUT. 647 00:36:36,672 --> 00:36:38,761 LET'S GO. MAYBE WE CAN DOUBLE-TEAM HIM. 648 00:36:38,892 --> 00:36:40,415 -OKAY. 649 00:36:45,072 --> 00:36:47,379 -ED? -WHAT? 650 00:36:47,944 --> 00:36:50,425 -ED? -HEY, BIG GUY! 651 00:36:50,556 --> 00:36:52,688 YOU'RE JUST IN TIME FOR MY NEXT EXTRAVAGANZA. 652 00:36:52,819 --> 00:36:54,299 -WE NEED TO TALK TO YOU. 653 00:36:54,429 --> 00:36:56,257 -HEY, YOU KNOW WHAT A STUNT MAN'S MOTTO IS? 654 00:36:56,388 --> 00:36:57,389 -NO. 655 00:36:58,259 --> 00:37:01,306 -WHY GO THROUGH A DOOR WHEN YOU CAN GO THROUGH A WINDOW? 656 00:37:02,132 --> 00:37:03,351 THATS WHAT STUNT MEN ALWAYS SAY, 657 00:37:03,482 --> 00:37:05,440 AND, WELL I AM A STUNT MAN. 658 00:37:06,093 --> 00:37:07,747 HEY, WHAT DO YOU THINK OF THE OLD SET HERE, TOO? 659 00:37:07,877 --> 00:37:10,140 IT'S THE OLD WESTERN SALOON THING, I BUILT IT MYSELF. 660 00:37:10,271 --> 00:37:11,620 -YEAH, YEAH, IT'S REALLY NICE. 661 00:37:11,751 --> 00:37:12,186 BUT LOOK, JESSIE WANTS HER MONEY BACK. 662 00:37:12,317 --> 00:37:13,709 -YEAH. 663 00:37:13,840 --> 00:37:14,971 -UH, WELL, I'M AFRAID I CAN'T DO THAT. 664 00:37:15,755 --> 00:37:17,931 I GOT IT ALL INVESTED IN THE SET AND MY WARDROBE. 665 00:37:18,061 --> 00:37:19,541 BUT I AM GONNA DEMONSTRATE 666 00:37:19,672 --> 00:37:21,108 HOW TO GO THROUGH A GLASS WINDOW, 667 00:37:21,239 --> 00:37:22,544 JUST LIKE THEY DO IN THE MOVIES. 668 00:37:22,675 --> 00:37:24,111 COURSE THERE IS A LITTLE SECRET TO IT, 669 00:37:24,242 --> 00:37:25,547 I BET YOU DON'T KNOW THAT, LITTLE DARLIN'. 670 00:37:25,678 --> 00:37:26,418 -YEAH, THE GLASS IS MADE OUT OF CANDY? 671 00:37:27,419 --> 00:37:28,985 -UH, YEAH, WELL SO MUCH FOR SECRETS. 672 00:37:29,116 --> 00:37:31,901 HEY LOOK, THIS BOTTLE IS MADE OUT OF CANDY AS WELL. 673 00:37:32,467 --> 00:37:34,687 THE TEMPERATURE HAS TO BE EXACTLY RIGHT WHEN YOU MAKE IT. 674 00:37:34,817 --> 00:37:36,123 HOT, COOL, IT'S VERY CRITICAL. 675 00:37:36,254 --> 00:37:37,429 I MADE THIS ONE HERE. 676 00:37:37,559 --> 00:37:38,865 NOW WHAT I WANT YOU TO DO 677 00:37:38,995 --> 00:37:40,562 IS JUST HIT ME ON THE HEAD WITH IT. 678 00:37:40,693 --> 00:37:42,434 -NO, I DON'T WANT TO. 679 00:37:42,564 --> 00:37:44,174 -IT'S JUST CANDY GLASS, SO IT WON'T HURT ANYTHING. 680 00:37:44,305 --> 00:37:45,654 JUST CRACK THE THING OVER MY HEAD. 681 00:37:45,785 --> 00:37:46,568 1GO AHEAD, HIT ME. 682 00:37:46,699 --> 00:37:47,482 -GO AHEAD. 683 00:37:47,613 --> 00:37:48,831 -HIT ME ON THE HEAD! 684 00:37:59,668 --> 00:38:01,975 I'M ALL RIGHT, I'M ALL RIGHT. 685 00:38:02,715 --> 00:38:04,934 JUST COOKED THAT ONE A LITTLE TOO LONG. 686 00:38:08,329 --> 00:38:10,723 AH, I'M GONNA SHOW YOU THE PROPER WAY NOW 687 00:38:10,853 --> 00:38:13,029 TO DIVE THROUGH A PLATE GLASS WINDOW. 688 00:38:13,160 --> 00:38:14,335 -I DON'T WANT TO WATCH THIS. 689 00:38:16,163 --> 00:38:18,948 -CLASSIC, HOLLYWOOD MOVIE STUNT. 690 00:38:19,079 --> 00:38:20,559 GET READY, HERE I COME. 691 00:38:28,131 --> 00:38:30,830 -ED? ED? 692 00:38:37,532 --> 00:38:38,620 YOU OKAY? 693 00:38:38,751 --> 00:38:40,796 -UH, YEAH. I'M ALL RIGHT. 694 00:38:43,059 --> 00:38:47,107 -I'M OKAY. YEAH, I'M ALL RIGHT. 695 00:38:47,803 --> 00:38:49,022 -MITCH: WHAT ARE YOU DOING? 696 00:38:57,160 --> 00:38:59,772 -HEY! -NOT BAD! 697 00:38:59,902 --> 00:39:02,296 -HEY, SWEETIE, WITH A LITTLE PRACTICE YOU CAN BE OKAY! 698 00:39:02,427 --> 00:39:03,906 -YAY! 699 00:39:09,912 --> 00:39:10,913 -NEWS REPORTER: AND THIS AFTERNOON, 700 00:39:11,044 --> 00:39:12,350 IN A CEREMONY IN SANTA MONICA, 701 00:39:12,959 --> 00:39:14,874 MOTOR OFFICER MILFORD AND MOTOR OFFICER LINDSEY 702 00:39:15,004 --> 00:39:16,658 WERE REWARDED BY THE MAYOR. 703 00:39:17,180 --> 00:39:19,705 -J.D.: THOSE TWO COPS? WE SAVED THEIR BUTTS! 704 00:39:21,707 --> 00:39:22,925 -WHAT'S UP, GUYS? 705 00:39:23,535 --> 00:39:25,275 -YOU TELL US. -YEAH. 706 00:39:25,406 --> 00:39:27,408 -THE MOTOR OFFICES SAVED NOT ONLY TWO YOUNG GIRLS 707 00:39:27,539 --> 00:39:29,062 FROM DROWNING OFF THE REDONDO PIER, 708 00:39:29,192 --> 00:39:31,325 BUT ALSO SAVED THE LIVES OF TWO BAYWATCH LIFEGUARDS 709 00:39:31,456 --> 00:39:33,893 WHO FACE CERTAIN DEATH BY DROWNING AS WELL. 710 00:39:35,503 --> 00:39:37,592 FOR THEIR COURAGE AND HEROIC ACTION, 711 00:39:37,723 --> 00:39:39,507 THE TWO MEN WERE AWARDED THE ESTEEMED 712 00:39:39,638 --> 00:39:40,552 MEDAL OF VALOR. 713 00:39:41,944 --> 00:39:43,337 REPORTING FROM SANTA MONICA-- 714 00:39:43,468 --> 00:39:45,600 -BOY, AM I LATE, I GOT TO GO. 715 00:40:02,574 --> 00:40:04,227 -HEY LITTLE LADY, HOW ABOUT ME TEACHING YOU 716 00:40:04,358 --> 00:40:05,315 HOW TO DO SOME ROPING? 717 00:40:05,446 --> 00:40:07,796 -ED, GET OFF THE TOWER, NOW! 718 00:40:07,927 --> 00:40:10,190 -EVERY GOOD STUNT PERSON'S GOTTA KNOW HOW TO RIDE AND ROPE! 719 00:40:10,320 --> 00:40:12,018 -I MEAN IT, ED, GET DOWN! 720 00:40:12,148 --> 00:40:14,847 -RUN YOU LITTLE VARMINT, RUN, RUN! 721 00:40:16,152 --> 00:40:17,763 UH-OH. 722 00:40:20,156 --> 00:40:22,724 -OH! -OH, OH, OH. 723 00:40:22,855 --> 00:40:24,204 -OH! -I'M OKAY! 724 00:40:25,945 --> 00:40:27,294 I'M FINE! 725 00:40:28,600 --> 00:40:30,166 I'M JUST FINE! 726 00:40:30,297 --> 00:40:31,124 I'M ALL RIGHT! 727 00:40:31,254 --> 00:40:32,168 -MITCH: GO, ED! 728 00:40:32,952 --> 00:40:34,344 -ED: I'M JUST FINE! 729 00:40:34,910 --> 00:40:36,085 I'M FINE! 730 00:41:06,899 --> 00:41:10,468 WELL I'VE GIVEN EVERYBODY ADVICE ALL DAY LONG TODAY, PAL. 731 00:41:12,208 --> 00:41:15,429 AND TONIGHT, EVERYBODY'S GOT SOMEONE. 732 00:41:17,213 --> 00:41:18,824 AND I GOT YOU. 733 00:41:20,652 --> 00:41:24,046 WELL, NAMELESS, IT'S YOU AND ME PAL. 734 00:41:25,961 --> 00:41:27,746 YOU DON'T SNORE, DO YOU? 735 00:41:44,327 --> 00:41:48,984 [END THEME SONG PLAYING] 736 00:41:49,034 --> 00:41:53,584 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0